Her final university party ended in a twelve-hour blackout. Waking up in her room with a terrifying blank, Mithila is convinced something horrific occurred—and now, trapped by her own fractured memory, she trusts absolutely no one.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
'Uprooted' is a short film on what's happening in Ukraine as of today. This captures the emotions of the Russian invasion of Ukraine.
“Reboot” is crass and sometimes incoherent, and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
