Short Film Spotlight: An A Peel for Justice by Jeff Aquino
Jeff Aquino’s film “Viral” placed second in 2020’s Incluvie Film Festival fest, he’s back again with his film "An A Peel for Justice".

Using a false accusation of unlawful land-squatting, Bill Edwards (Al Ferguson) goes to the County Seat and has Sheriff Brown to swear out a warrant against sheep-herders Marie Valerian (Neva Gerber) and her father (Silver Tip Baker. The Sheriff sends a Deputy, "Thundering" Thompson (Cheyenne Bill_, back to serve the warrant. Thompson learns that Edwards is only trying to force the Valerians to sell their sheep to him at a cheap price, and comes back without serving the warrant. This enrages Edwards who enlists the aid of a local cattleman and his hands to drive off the sheep. Thompson sets out to keep this from happening.
Jeff Aquino’s film “Viral” placed second in 2020’s Incluvie Film Festival fest, he’s back again with his film "An A Peel for Justice".
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.
It’s dark, uncomfortable, and there are things that don’t make sense.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.