David Whitman has just been released from the mental institution where he's been staying for the last three years. He has been transferred into a halfway house to slowly reintegrate into society. However, his first day in the house is far from perfect, he is attacked by the house bully and a horrible fight breaks out at the dinner table later that evening. Just when he thinks his stay at the house can't get any worse, one of the house mates is brutally murdered. Naturally, the remaining house mates blame David for the murder. Not even the evidence seems to be in his favor; especially not when the body count starts to rise. Questioning his sanity, David must set forth to prove his innocence and find the real killer...even if it turns out to be himself.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.
Four documentaries, now streaming on the Criterion Channel, embody the adopted slogan of the current protest movement: Woman, Life, Freedom
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
What makes a person different, and who is considered normal? Based on a true story, The Unbreakable Boy follows the life of Austin LeRette, a young boy with autism and osteogenesis imperfecta, as he navigates daily life with optimism and resilience.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
