Writer and Producer Ericka Nicole Malone Talks Being A ‘Quiet Inspiration’
Writer and producer of 'Remember Me: The Mahalia Jackson Story', Ericka Nicole Malone discusses her humble beginnings in the industry.

Thriller opens with the scene of a house in a forest (reminiscent of Tarkovsky) in which a young man in farm clothes bearing a suffering demeanour tends sheep and a young woman in vampiric goth-garb gathers bracken for a fire. They do not look at one another. The soundtrack hums eerily. The young woman looks up towards an upstairs window of the house. Cut to an interior where a younger girl lies daydreaming on her bed. The man enters the house, turns the handle of her door. Cut to a close-up of her porcelain face wide-eyed in terror. The suspense dissipates as he turns away without opening the door. Cut to the girl as she lies back down on her bed, an enigmatic smile on her face. (Some critics have read her expression as relief, perhaps at some averted abuse, but her expression could also be read as triumph.)
Writer and producer of 'Remember Me: The Mahalia Jackson Story', Ericka Nicole Malone discusses her humble beginnings in the industry.
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Queen & Slim is a nice example of representation in both cast and crew