"Thunder Road": Guilt, Grief, Regret, and Suicide
"Thunder Road" presents the grief that comes from a family member taking their own life.

Thriller opens with the scene of a house in a forest (reminiscent of Tarkovsky) in which a young man in farm clothes bearing a suffering demeanour tends sheep and a young woman in vampiric goth-garb gathers bracken for a fire. They do not look at one another. The soundtrack hums eerily. The young woman looks up towards an upstairs window of the house. Cut to an interior where a younger girl lies daydreaming on her bed. The man enters the house, turns the handle of her door. Cut to a close-up of her porcelain face wide-eyed in terror. The suspense dissipates as he turns away without opening the door. Cut to the girl as she lies back down on her bed, an enigmatic smile on her face. (Some critics have read her expression as relief, perhaps at some averted abuse, but her expression could also be read as triumph.)
"Thunder Road" presents the grief that comes from a family member taking their own life.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
The story continues in 'Tall Girl 2' as Jodi finds herself playing the lead role in the school's musical production.
Paul Thomas Anderson blends tragedy, comedy in 2025 epic, "One Battle After Another."
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.