Walk. Ride. Rodeo. Reveals Amberley Snyder's Success
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.

Ruby agrees to spend a night with her volatile partner Michael and his friends in a remote, abandoned barn. What begins as a reckless, drug-fueled evening slowly unravels as the house seems to twist and feed on their toxic bond. Paranoia grows, reality fractures, and Ruby is forced to confront both Michael's control and the darkness that has consumed her life for years.
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
In this high-flying mission, the pups gear up with jets to stop the Duke of Flappington and save Barkingburg.
The nations of Wakanda and Talokan enter war over their opposing viewpoints on dealing with the destructive hearts of humankind on the surface world.
Guillermo del Toro's masterwork "Pan's Labyrinth" stands test of time as it celebrates 20th anniversary in theaters.