What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Ben Trego dies defending his twin sons from Indian attack. Separated, the two boys grow up very differently, one as Paul Marsden, the other as a cowboy named Three Word Brand. Paul becomes governor of Utah while Brand partners with George Barton in a ranch. The owner of the adjacent ranch plots to get Barton and Brand out of the way in order to control water rights. When Governor Marsden comes to the area to investigate, Brand sees the resemblance between them, though neither knows about his twin. Brand waylays Paul and takes his place as governor in an attempt to thwart the crooked rancher in the water rights scheme.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
While everyone was going gaga over The Odyssey, Desert Warrior was quietly taking audiences on an epic Arabian “knights of the sand table” adventure
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
American Fiction is a genuinely entertaining film with a few lessons.