Jong Sil, a sound effects director, is awarded a carte blanche for his ingenious invention of a coke bottle opener sound used in a commercial film for an Arab client. Ecstatic, drunk, he heads home to his wife and kids, only to end up spending the night in an apartment unit one floor above which belongs to a single woman. The preposterous one-night-stand snowballs into a major event, for which he is reported gone missing on TV. Lost, Jong Sil becomes more involved with the woman, discovering things about her, as their relationship takes an unexpected turn.
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
In Tall Girl, Jodi learns to stand tall and find confidence within.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
