Three young men frustrated with their current employment get mixed up in a seemingly low-risk, high-profit theft job. Things unfold and they just might be adding kidnapping to the list of crimes they are committing. With a comedic twist to it all, it's a wonder how they end up as heroes of the day.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
This short film was an overall creative success.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
