Three stories are intertwined in a land, Friuli, in the North-East of Italy, which extends along a triple border. The stories of Irene, a Carnian, Christian girl; Pavel, Ukrainian and Jewish; Mehdi, Iranian and Muslim. Udine. A beautiful city, but one that is perceived as cold and inhospitable by emigrants. Pavel and Mehdi are illegal immigrants, who share an apartment - and concerns about social matters - in the “ghetto” of Via Roma. In love with Pavel, Irene tries to help them, but her surge of solidarity goes perhaps too far, and she regrets it. Mehdi lives obsessed with an ancient guilt: his fragile soul is attracted to Evil. Predestination and moral choice. Two alternatives? Subjection to freedom of Good or Evil. What will the protagonists choose?
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
An animated reboot based on the book of the same name, with differences from the live-action movie of the same name.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
