Three stories are intertwined in a land, Friuli, in the North-East of Italy, which extends along a triple border. The stories of Irene, a Carnian, Christian girl; Pavel, Ukrainian and Jewish; Mehdi, Iranian and Muslim. Udine. A beautiful city, but one that is perceived as cold and inhospitable by emigrants. Pavel and Mehdi are illegal immigrants, who share an apartment - and concerns about social matters - in the “ghetto” of Via Roma. In love with Pavel, Irene tries to help them, but her surge of solidarity goes perhaps too far, and she regrets it. Mehdi lives obsessed with an ancient guilt: his fragile soul is attracted to Evil. Predestination and moral choice. Two alternatives? Subjection to freedom of Good or Evil. What will the protagonists choose?
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
As a horror buff, I was intrigued by people claiming 'The Sadness' was the most disturbing movie they've ever seen or to watch with caution. So, I finally put the internet to the test and watched it for myself... to varying results.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
In Amazon’s new shark flick, The Devil’s Mouth, terrible tourists finally get their comeuppance while two estranged best friends must overcome their petty squabbles to survive as the rest of their party gets chomped one by one. While it’s by no means an Oscar winner, The Devil’s Mouth is good old fashioned shark week carnage with a tourist critical twist, perfect with popcorn, a friend, and a healthy does of schadenfreude.
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."
A trio of girls form a band and enter a singing competition together after learning they work best as a team.
