Tough Guy Babysits…Again: Playing with Fire
'Playing with Fire' was clearly a film made for a kid or tween-ish audience. Keeping that in mind, I thought 'Playing with Fire' was alright, though it did portray some harmful stereotypes.

A sequel to "The Pierrot Prays to the Moon", which won the "Gold Medal Prize" at the Chicago International Film Festival Television Awards. A beautiful village in the mountains. Mayu is a wife, a mother and a daughter-in-law. While taking care of her husband and son, she is faced with despair every day as she visits her mother-in-law with a long-term illness. Amidst all this, she meets a man from Tokyo by coincidence and falls in love with him. A secret and illicit love where they understood each other's hearts. For Mayu, this love was captivating, a love that is one of a kind. In the midst of this love, time passes and after several years, it had brought her a whole new meaning to life. This is even more so being the forbidden kind of love. When the man invited Mayu to return to Tokyo with him, she must decide whether to stay in her hometown or abandon her home and follow him.
'Playing with Fire' was clearly a film made for a kid or tween-ish audience. Keeping that in mind, I thought 'Playing with Fire' was alright, though it did portray some harmful stereotypes.
In Saudi Arabia, a little girl (Wadjda) is told she can't have a bike because she's a girl. Wadjda struggles to obtain a bicycle to race her friend, Abdullah, due to the gender inequality and cultural norms of Saudi Arabia.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.