'Malignant': A Fun, Wacky Horror with Feminist Undertones
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.

The stooges are castaways from a garbage scow who land on Dead Man's Island where everyone is living in olden times. To escape from the governor, they disguise Curly as a Maharaja and win permission to journey to their own country to fetch presents. The governor is fooled, but the boys run into more trouble in the den of Black Louie the pirate where Curly is forced into a knife throwing contest with Larry as the target. Things look bad until a mis-thrown knife cuts the rope that holds the chandelier and it crashes down on Black Louie's men. With the pirates defeated, Moe decides to take over as ruler of the island.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
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Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.