Star Wars Episode VIII: The Last Jedi. The Best Post-Disney Star Wars Film
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.

Demosthenes Taxiarchis, a sandalmaker by profession, is handsome, fickle and a troublemaker. Together with his friend Spyros Gyras, the Police Commander, they ride around on their bicycles, searching for the ideal love and the meaning of life. A romantic comedy set in Athens, which still retains magical moments from its glorious past, a story with heroes who rescue the ancestral ethos and the genuine soul of the Greek, a hymn to life, love and beauty.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
Disney+ recently released six short films entitled the “Launchpad” collection in which diverse directors tell diverse stories. These shorts are exactly the kind of films we here at Incluvie want to see more of. These are stories of intersectionality, inclusion, and diversity. And every short stars a cluvie!
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
Shadow & Bone excels in natural story representation with powerful centering of culture. Jessie Mei Li stars as Alina Starkov, the feisty cartographer with kindness, innocence, and integrity, who comes to be revealed as the legendary summoner of light.
Steven Spielberg's West Side Story (2021) improves on the original's terrible representation, poorly written romance, and more. --> check out reviews & film summary
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.