The Prince of Kiev decided to appoint an heir to the throne, only bad luck - who could it be? A relative, friend of the family or maybe an overseas princess? Without thinking twice, the Prince-Father chooses almost a princess, and most importantly a relative - his niece Zabava. Today, she and her husband, Elisha (do you remember the faithful student of Dobryni Nikitich?), Receive her education in faraway Constantinople, where the treacherous Vasileus rules. In order to return the heiress to her native lands, three heroes are sent in a hurry, and, of course, the main court horse, Julius.
Konstantin Bronzit
Director
Sergey Makovetskiy
Knyaz of Kiev (voice)
Valeri Solovyev
Dmitriy Bykovskiy-Romashov
Ilya Muromets, voice acting
Oleg Kulikovich
Alyosha Popovich, voice acting
Dmitry Vysotsky
Yuliy, voice acting
Konstantin Bronzit
Leonid, voice acting
Mikhail Chernyak
storyteller, voice acting
Aleksandr Boyarsky
Vasileus (voice)
Yekaterina Gorokhovskaya
Yuri Tarasov
Konstantin Bronzit
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
An animated reboot based on the book of the same name, with differences from the live-action movie of the same name.
What are we willing to walk through to see our dreams come to pass? Our minds might be so wholly alive with the passions we carry and the plans we make to see these things become all we wish them to be, yet life doesn’t always want to come alongside. Instead, obstacles arise, both physical and mental, which attempt to dissuade us or even prevent us from moving forward, stalling or stagnating the momentum to achieve what we desire. The age-old question remains….can we overcome? Or will we BE overcome?
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
A baking competition that delivers cookies ‘n screams.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.