'The Invisible Man' (2020): The Hiddenness of Domestic Abuse
The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.

Shown in Cannes 1946, most of the film was lost and only 32 minutes of images with no sound survive today. An elementary school teacher, Lídia, is placed in an isolated village in the mountains and on the first day of school the doctor informs her that she will have to go away with the priest for three days. These will be the three godless days of the title, in which the young teacher will meet the lord of the hill, Paulo Belforte, who is feared by the whole village for allegedly setting fire to the church and for having tried to murder his own wife. Due to a series of misunderstandings, the villagers turn against Lídia and Belforte, to the point where at the end there is a torchlight procession to purify the diabolical events of Casal de Lobos. But all ends well, and peace is restored through (semi-)divine influence...
The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.