Predator's Seventh Entry, 'Prey', Is A Breath Of Fresh Air
'Prey' is the seventh edition of the Predator series and offers a new take on the iconic hunter and an amazing representation of Native Americans.

Ten years have passed since the disaster. The men are back. The new enemy they face is the new coronavirus. What comes before the four men, who have never met anyone new...
'Prey' is the seventh edition of the Predator series and offers a new take on the iconic hunter and an amazing representation of Native Americans.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.