Joan (Helen Twelvetrees) is a Canadian, adopted by Ma Dawson (Nellie Ferguson), a struggling horse breeder and trainer. Joan thinks "legs don't make a race horse, it's blood", and so she buys an unwanted thoroughbred colt called Stormalong. Helped by Ma's son Tommy Dawson (Frank Leighton), Joan restores the horse to health and fitness, and soon enough the horse is winning race after race, becoming a favourite for the Melbourne Cup.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
An attempt to capture nostalgia that unfortunately just doesn’t work
What are we willing to walk through to see our dreams come to pass? Our minds might be so wholly alive with the passions we carry and the plans we make to see these things become all we wish them to be, yet life doesn’t always want to come alongside. Instead, obstacles arise, both physical and mental, which attempt to dissuade us or even prevent us from moving forward, stalling or stagnating the momentum to achieve what we desire. The age-old question remains….can we overcome? Or will we BE overcome?
The horror franchise that had moviegoers watching behind their fingers but on the edge of their seats. The Conjuring quartet released its final installment this year, and it did not disappoint.
