Climb inside the mind of a sociopath; an office worker kills his way into management but gets into trouble with his talkative girlfriend and a corrupt detective. Jim Collins has decided to kill his way to the top. He begins by strangling Harry, his manager, one night on an abandoned highway. Complications emerge when, at Harry's wake, Jim learns Gail, his girlfriend, had slept with Harry months ago. Being interrogated by the intimidating detective Scott Hume doesn't help things either. Jim's psychosis kicks into high gear when he decides that Gail, who knows that Jim killed Harry and is going to tell the cop, has to be terminated.
SPOILERS AHEAD. Sweet Sweetback's Baadasssss Song distinguished itself from Hollywood films of its time by introducing New Wave cinema storytelling methods into Black cinema.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
A concert film with original recording of the most iconic event in pop culture in 2023.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
