The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Fragments of the works of Soviet and foreign science fiction writers: “Hello, Parnassus!” Valentina Berestova, "A Yankee in King Arthur's Court" by Mark Twain, "The Abyss of Marakot" by Arthur Conan Doyle and "The Conqueror of the Impossible" by Evgeny Veltistov.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.