
Nina, a former Miss of a province town currently unemployed, who has enough of her boring life with her husband, Cornel. She decides to kidnap Marinela, the bride of an local mobs wedding, in exchange of a huge ransom that hopefully will provide her a better life. Surprisingly enough the bride refuses to return to her disgusting husband and provokes a series of events very serious for her family, but hilarious for the movie.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
Michael Shanks’ Together is a queasy, hilarious, and surprisingly heartfelt body-horror trip that fuses love and terror in the most literal sense. Starring real-life couple Dave Franco and Alison Brie, this midnight gem twists Plato’s soulmate myth into a gory, darkly funny tale of codependency, cults, and chainsaws — equal parts romance and nightmare.