Roald Dahl's "Matilda the Musical"
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.

Ildiko runs a campsite, close to nature, far from the hustles and bustles of the capital. Ildiko is excited to learn that her former teacher from secondary school will pay them a visit. Ildiko gladly becomes nostalgic about the school years spent with Vera as her teacher, but mostly because of Vera's care for the students who needed her support. Coinciding with Vera's visit, Ildiko's daughter returns home with her openly gay friends from a demonstration in Budapest. Vera notices their rainbow flag and cannot keep what she really thinks to herself.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
The actions that Verity confesses to are tragic. But the way to prevent those actions isn’t to force the related emotions into the shadows.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.