Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

When two sisters emerge from the woods under mysterious circumstances, nurse Shannon River's life is upended as she decides to take them in under temporary foster care. She is plunged into a world of legal disputes and threats from their biological parents, as the secrets of the girls' past are slowly revealed. Together they will learn to navigate trust and fear, as they confront the demons of their past.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
Although not canonically aromantic or asexual. the stories and personalities of these Disney princesses resonate with members of the aroace community.
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
Through its morbidly humorous storytelling, Wednesday tells a tale of a world divided that explores the manifestation of generational trauma in its protagonist Wednesday Addams.