“Selena: The Series,” a Small Disservice to Selena’s Legacy
'Selena: The Series' loses sight of the story's heart: Selena herself.

Grace Sawyer is a big city realtor returns to her hometown of Evergreen Falls to lead the local realty office, just as the team nears an annual sales goal that would win them a dream vacation. On Grace’s first day, she accidentally ruins a once-in-a-year sunset photo for local photographer Luke Davies, who also shoots listings for the agency. Will a chance at owning her dream home and snagging a permanent role managing the firm in her small town lead Grace to love and a future she never expected.
'Selena: The Series' loses sight of the story's heart: Selena herself.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.