'The Mad Woman and the Feminist' Review: MiamisFF
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.

What happens when seven women meet in one place for a week? Refreshingly unorthodox, THERE IS A HAUSEN EVERYWHERE addresses the fundamental questions of the present. Can we accept other people as they are and as they live? What is perception and what is reality? And when we talk about truth, what do we mean? In this comedy that plays with the absurdities of everyday life, the seminar community in Hausen becomes a microcosmic image of society.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
For those tranquil houses with white fences, what is happening behind every closed door?
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.
The movie behind the space toy from the 'Toy Story' film series is finally here.