A family of mice meet a little blue mouse on their Sunday walk. The little mouse politely asks them to give him some of their cake. The mouse parents don't want to know anything about the strange fellow and forbid their children to have any contact with him. The little ones continue to play anyway. In a painter's studio, they discover various paint pots, and the horrified parents are suddenly presented with three colorful mice that they no longer know are their own children. When they are all washed up, three gray mice stand before them. In shock, the parents fall into a pot of blue paint and see that there can be blue mice after all.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
Taylor Swift dazzles many fans with remixes of her country and pop singles in her Reputation Stadium concert tour, becoming a successful concert film.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
Desi’s “straight man” to Lucy’s playful exuberance subverted people’s expectations of what a Latino man could be and added respect and nuance to the way onscreen marriages between men and women were portrayed.
Based off the book of the same name, ‘The Miseducation of Cameron Post’ (2018) follows teenager Cameron Post (Chloë Grace Moretz) after she is caught being intimate with another girl and then sent away to a gay conversion camp.
