Samuel Peters (Edward Furlong), once an ordinary man, dabbles in the laws of voodoo to bring his wife back from the grave. He soon encounters the God of malevolence ‘Kalfu’ (Corey Feldman), and makes a pact with him to destroy the underworld and bring chaos to earth. In return, he will become ‘The Zombie King’ and walk the earth for eternity with his late wife. But, as the ever growing horde of zombies begins to completely wipe out a countryside town, the Government set-up a perimeter around the town and employ a shoot-on-sight policy. Trapped within the town, the locals, an unlikely bunch of misfits, must fight for their lives and unite in order to survive. Can our heroes unravel the clues in time and survive or will The Zombie King and his horde of zombies rise on the night of the dark moon?
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
A musical adventure that young viewers will enjoy as Blue and Josh travel to New York City for a big opportunity.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
When I first saw the pilot for The Owl House, I knew instantly that it was special. It had an immense charm to not only its characters, but its story as well! It quickly became my sister and I’s go to Disney show to watch as a family, and we couldn’t wait to see what would happen next.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.
The accountant in question is Christian Wolff (Ben Affleck), who’s neurodivergent. We know this because at a dating event, he bores women with tax advice. He also places his breakfast foods in neat stacks and has no friends.
