'Peter Rabbit 2': The Runaway Hare
The second film takes us on Peter's journey to be understood.

Taking place in the Tower of London during the reign of King Henry VIII, this classic Gilbert & Sullivan operetta is one of their darkest and most sophisticated. Colonel Fairfax is wrongly accused of sorcery and sentenced to death within the hour. He hatches a plan to avoid letting his estate fall into the hands of his scheming cousin (incidentally, his accuser) by secretly marrying Elsie Maynard, a strolling singer. She agrees to be blindfolded during the ceremony and expects to be a wealthy widow upon Fairfax's imminent demise, leaving her free to marry her lover, the jester, Jack Point. However, Fairfax miraculously escapes his fate and chaos ensues.
The second film takes us on Peter's journey to be understood.
Fire Island is the more inclusive film of the two with the bi-phobic definition of pansexuality in The Thing About Harry and its obvious lack of colour on screen
When the retelling of the Cinderella fairy tale and a holiday spirit come together, viewers learn about class issues as well as perseverance despite setbacks.
Attack of the Killer Tomatoes: Organic Intelligence is not merely the fourth sequel in a cult classic film about a delicious vegetable apocalypse: it’s a love letter to slapstick, sight gags, and the original 1978 film. It’s also a meta-comedy, spy-thriller parody taking place in a world where the original film series was a documentary about the horrors of the Tomato War that the government covered up by convincing everyone it was a comedy. Taking place in 2026, Organic Intelligence sees genetically modified tomatoes grown out of control and rising up to attack humanity again - luckily, Agent Maria Sifuentes (Myrna Velasco) of the Federal Vegetable Investigation Bureau is there to uncover the corporate conspiracy behind it, and she won’t take no for an answer.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
While everyone was going gaga over The Odyssey, Desert Warrior was quietly taking audiences on an epic Arabian “knights of the sand table” adventure