Inspired by true events, college sophomore Clemence Miller is coming home to the suburbs and a bedroom in her family's basement. After dropping out of school with a newly diagnosed mental illness, she now faces the challenges of bipolar disorder, the responsibilities of adulthood, and her damaged relationships with family and friends. Clemence struggles to figure out what it means to heal without driving everyone around her… well, crazy. As if reckoning with everything and everyone she has taken for granted wasn’t enough, Clemence has to wrestle with the thought that on top of it all, she might also just have a really bad personality.
I highly recommend Dark Waters. It’s a highly engrossing picture, which lends itself to cautionary storytelling. The dark information continually grows, inspiring change and accountability altogether. Overall, Haynes’ picture will not be known for its inclusiveness--but it will be known for being a fantastic, engrossing film.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
