Freakier Friday: Maybe It Was Freaky Enough the First Time?
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.

Several cases of labour exploitation concerning migrant workers from Eastern European countries have become publicly known. The film portrays the life of three migrant workers: a construction worker from Bulgaria who lives on the streets of Frankfurt collecting bottles for a living; a woman from Romania who shares a hotel room with her daughters, everyday she goes out to find work; and a retiree from Bulgaria who drives a truck and has been on the road for four months to support his family back home. Their daily lives are determined by bleak monotony and social isolation, and yet they have not abandoned their hope for a better life.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.