Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Al-Asti Ahmed works as a worker in one of the major factories. He is a staunch defender of workers’ rights, and the rest of the workers rally around him in order to defend their cause and rights. However, the factory owners try all the time to plot one machinations against him after another in order to discourage him from his struggle.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.