Halt and Catch Fire's Trailblazing Queer Representation
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.

A woman invites her mother to an underwater restaurant to celebrate her 70th birthday. Their seemingly everyday conversation opens up questions about the individual and society, privileges and responsibilities, belonging and rejection.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
This is a film that is going to leave some people bored, and some people thrilled.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.