Incluvie Film Fest 3rd Place Winner: ‘Warmth’ Review
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.

After a forward introduces the question of whether women are temperamentally suited for jury duty, Jim O'Neil, a young shipping clerk, is found holding a revolver over his dead employer, Edward Knox. The celebrated novelist Grace Norton, selected to be on the jury at Jim's trial, becomes the first woman juror in New York.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
It’s hard to capture the emotions and thoughts of a character just from a few shots, but Oscar-nominee composer Micachu's haunting melodies prove otherwise in 'Jackie'.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).