Bastien and Furet are a journalist and a photographer working together as a team on the newspaper 'L'Echo du Jour'. Just as they are about to go off on a weekend break with Micky, their boss's secretary, they are sent to a crime scene to report the murder of a Russian named 'le Moujik'.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
