Films that Avert the Idea Animation’s Only for Kids
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.

“Let nature be nature” is the philosophy of the Bavarian Forest National Park. Despite massive resistance, this vision has become a groundbreaking showcase project. Because humans do not interfere with nature, the former commercial forests grow into a primeval forest, a unique ecosystem and a refuge for biodiversity. People from all over the world come here. They are looking for answers to the question of why we need more wild nature and what we can learn from it to preserve forests for future generations in times of climate change.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
Mr. Malcolm's List is a pleasant promenade through a fantasy Regency-era England filled with people of color. For fans of Bridgerton, this is the PG version of the show, but with completely colorblind casting and a much lighter tone.
Ranking The Purge films gives us one forgettable film, two mid-tier movies, and two horror masterpieces. This list can help you decide which films to watch first!
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary