Trauma Profiteering in Jordan Peele's 'Nope'
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.

The first Chechen war broke Russia in the mid-nineties. The war was lost, the country and the army was damaged. The recovery turned out to be incredibly difficult. Former soldiers - veterans of the famous "Wild Brigade" - cope with this trauma as best they can. For example, with their own hands and at their own expense, they decide to build a monument to fallen comrades at the gates of their long-abandoned military unit. Over and over again, they remind themselves of what they have experienced, not understanding how to break out of this vicious circle of war memories that still determine their whole life. A vicious circle in which not only a person can get lost, but the whole country can get lost by repeating the history and unleashing senseless wars.
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.