The White Masks (1921)

'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.

'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.

This story solidified my choices to consume a more plant-based diet and nearly made me cancel my subscriptions to big corporations like Amazon. The narrative was perfectly crafted and on par with Bong Joon-Ho’s other major works; Parasite and Snowpiercer.

The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.

The film blends reality and the supernatural world together, leaving the viewer unsure of what’s real and what’s merely a figment of Michael’s agitated imagination.

With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.