Recording of the Italian opera "Le Nozze di Figaro" ("The Weddings of Figaro") with José Fardilha as Figaro, Rossana Potenza as Sussana and Madelyn Renée Monti as La Contessa di Almaviva, among others. Performed in Rome in 2002 with the direction of Enrico Castiglioni and conducted by Maurizio Picconi.
Enrico Castiglione
Director
Marco Grimaldi
Il Conte di Almaviva
Madelyn Renée Monti
La Contessa di Almaviva
Rossana Potenza
Sussana
José Fardilha
Figaro
Tiziana Carraro
Cherubino
Alessandra Zapparoli
Marcellina
Riccardo Mirabelli
Basilio
Antonio Faieta
Don Curzio
Fabrizio Picconi
Bartolo
Pierluigi Dilengite
Antonio
Sarah Agostinelli
Barbarina
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
Rules are nowhere to be seen in the harsh unfiltered reality of ‘Fair Play.’
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.