The Way We Were is something that Hong Kong cinema needs – creative, different, character driven, funny and ultimately heart warming. It is exactly what you call a light hearted movie that never takes itself too seriously. Liu Kai Chi impresses as the guy who never gives up on his dream and at the same time dealing with the fact that he is a failed father. Fiona Sit suits up well in a role that requires more than on paper. At the end of the day, this is an interesting and easily missed little film that works. The Way We Were may not make a single cent at the box office, but it is certainly the most underrated Hong Kong film of the year…
Yes, Asia is actually quite a large hub for amazing horror films even to this day, some people just never notice! Well, I'm here to change that. It's time to not let those words at the bottom of the screen scare you but instead be scared by some of the best horror you never knew about.
David Fincher is back in his playpen, with a dark and chilling thriller.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
