After the mysterious murder of John Cowles' father, the son starts west to borrow money of his father's business partner, Col. Meriwether. He meets the Colonel's daughter, Ellen, and falls in love with her, not telling her of his fiancée, Grace Sheraton. Gordon Orme, an old acquaintance, turns up, tells Col. Meriwether about Grace, and the Colonel is so enraged he refuses to lend the money. John's mother and Grace have followed John and his mother urges him to try the gold fields. He discovers gold and wins Ellen, after both Gordon and Grace, who is really in love with Gordon, are killed.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
In this coming-of-age movie centered around senior prom, Mandy is anxious about her acceptance into Harvard while she realizes she's missing other opportunities.
When the world lost Chadwick Boseman on August 28, 2020, we all saw the impact of representation in film. Boseman was not only a Black superhero leading a Black cast in one of the most successful films in history; but his successes paved the way for more, long-overdue diversity in Hollywood.
Chickenhare and the Hamster of Darkness explores true identity through exploration.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
