
At the edge of the world a Child learns from her Grandmother that she is descended from the fairies. She longs to know more but her Grandmother is silent. To find the story of her past, the Child enter the land of The In-between and travels to the beginning of time when Fairies roamed the earth. But the story she finds is not the one she wants. In a fit of anger she sends her Grandmother down into the sea to find the magic story she wishes for. Filled with remorse, she plunges into the sea to bring her back. As the Child sinks, the sleeping world of fairies begins to stir and the long lost secrets are awakened. The Water’s Tale is a story of the interconnection between a woman and the past – herself as a child and the burden of history through the ages.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
In Saudi Arabia, a little girl (Wadjda) is told she can't have a bike because she's a girl. Wadjda struggles to obtain a bicycle to race her friend, Abdullah, due to the gender inequality and cultural norms of Saudi Arabia.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.