'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

During a rainy night, in the streets of what used to be the Federal District, Bartolo, a sad young man, boards an old and peculiar taxi, inside which he claims to have been left by his wife for another man, to which the driver, Damián, responds by inviting him for some drinks in a very charming and familiar little place where he was already headed anyway. After a couple of hours and another of caguamas, amid confessions and smoke, Bartolo will end up sealing his fate by being taken to the hellish destiny he deserves.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
A lot of us are emotionally impacted by the current pandemic. So, while we’re all stuck here in our homes, it’s great to put on a movie to ease the stress. With that, I made up a small list of some of my favorite feel-good movies.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!