Not So ‘Brand New’ Cherry Flavor
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.

(survived only 10 minutes) As young men, the squire (Marshall) and the village blacksmith (Walling) are in love with the same woman (Boardman), whom the blacksmith marries. This angers the squire. Years later, the squire's son Anson (Yearsley) dares the blacksmith's son Johnnie (Hackathorne) to climb a tree, from which he falls and is crippled. As adults, Anson and the blacksmith's daughter Alice (Valli) fall in love, which angers the blacksmith, who chastises his daughter. The blacksmith's other son Bill (Butler) returns from college and is injured in a train accident. Anson steals $480 from a church fund which is currently in Alice's possession. Alice is struck by lightning. The blacksmith take Anson and the squire to church where they both repent.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
At Coopers Chase, murder isn’t just tragedy—it’s Thursday’s entertainment. Chris Columbus’ The Thursday Murder Club transforms Richard Osman’s bestselling series into a cozy, clever whodunit where Helen Mirren, Pierce Brosnan, Ben Kingsley, and Celia Imrie prove that life’s sharpest twists don’t stop with age. With llamas on the lawn, cakes at the ready, and secrets around every corner, this star-powered mystery balances charm, humor, and heartache, reminding us that friendship, resilience, and reinvention might just be the ultimate clues.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
"The Old Guard" doesn't break ground, but it sure does bust boredom and fictional heads as an entertaining action romp on Netflix.