Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Eighteen of Enya’s songs from a career of more than 20 years. Enya, Nicky Ryan, and Roma Ryan chose the songs to be included in this collection.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
A young boy who runs away from home discovers friendship when he befriends a young dragon in this animated movie.
When a group of White women are invited to dinner by an Indian woman and a Black woman to talk about race in America, sparks fly.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
Is Parasite a Horror Movie? Bong Joon-ho, one of South Korea’s parasite horror movies and most prolific filmmakers, decided to grace the world with one of the bizarre and fascinating movies of 2019.