'Once Upon A Studio' (2023)
A short hybrid film featuring everyone's favorite Disney characters.
The Verdict
An alcoholic mother of a born out of wedlock child has a difficult decision to make when a journalist proposes to adopt her son and pay her for it.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
An alcoholic mother of a born out of wedlock child has a difficult decision to make when a journalist proposes to adopt her son and pay her for it.
Rating:
Genre:Drama
Written By:Jerzy Przeździecki, Jerzy Passendorfer
In Theaters:
Box Office:
Runtime:75 minutes
Studio:Zespół Filmowy "Iluzjon"
Cast
Jerzy Passendorfer
Director
Grzegorz Roman
Adaś Celarski
Lidia Korsakówna
Zofia Celarska
Hanna Zembrzuska
Opara's Wife
Wieńczysław Gliński
Henryk Opara
Józef Nowak
Alfred Zarębski
Szczepan Baczyński
Doctor Ścisłowski
Barbara Bargiełowska
Lucjana Bracka
Oparas' Maid
Hanna Brochocka
Jadwiga Chojnacka
Aniela Kowalska
Mieczysław Czechowicz
MO Sergeant
Articles You May Like
'Monster': Young, Black, and On Trial Means Guilty in Most Cases
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
"Him" - All Flash, No Game
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Why Angelina Jolie's "Hardbody" in 'Lara Croft: Tomb Raider' Appeals to the Woman Spectator
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
Passionate and Undying, Love Needs No Language in The World to Come
"There is something going on between us that I cannot unravel."