“Buddy” and Analogue Horror
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.

Claire (Laure Marsac) is a 16-year-old young woman who discovers her father Pierre (Bernard Giraudeau) is not a healing physician but a killer with a bloody war record in the Lebanese conflict. She runs away from home and into the arms of Kamal (Michal Albertini). While Pierre stalks two terrorists, Claire and Kamal are violently confronted by Kamal's abandoned wife and family. The ravages of the conflict extend to those who are never participants in the battle but are among the casualties of war.
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.
This holiday movie serves as the prequel to the TV series The Really Loud House.
Disney movies have taken a bit of a downward turn recently. How come?
t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.