KPop Demon Hunters—A Battle of Heart and Soul
KPop Demon Hunters took social media by storm recently—is it truly as good as people have hyped it up to be?

After 15 years of bringing music to the Warped Community from coast to coast, in the US and Canada, this film captures the high-energy one night only Anniversary Celebration, featuring a who's who of Warped Tour veterans. Rise Against, Bad Religion, Ice-T, Underoath, and blink-182, among others, play and are interviewed about their Warped Tour recollections. Kevin Lyman, Warped Tour founder, also shares the roots of Warped.
KPop Demon Hunters took social media by storm recently—is it truly as good as people have hyped it up to be?
Jordan Peele’s film is an intelligent and unflinching piece of work, firmly focused on the African American experience.
Stranger Things season 4 ups the ante to the max! The show’s scope has been expanding for the past three seasons, and boy do they give us a spectacle to behold. As much as I love spectacle, this season occasionally buckles under the weight of its own ambition.
The July episode of Incluvie Movie Highlights provides 4 exciting films that have polarizing reviews! Special guest and Incluvie movie critic Daleyna joins in to discuss Mr Malcolm's List, a regency-era film set in England, starring leads of Indian and African heritage (Freida Pinto and Sope Dirisu), which is a first! Don't Make Me Go, starring an Asian and Blasian lead (John Cho and Mia Isaac), is a sincere film with a controversial ending! Don't worry, no spoilers. 1Up, about a team of female gamers led by Paris Berelc, who's half Asian, receives acclaim on Incluvie, but much hate everywhere else on the internet. And the feature film... is Nope ! One cohost thinks the film was imaginative, while the other cohost insists it was boring (but with good social commentary)! Who thought what? Tune in with your hosts: Cathy Yee and Hazel Bolivar!
A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.