“Supergirl” is like, fine, or whatever
Supergirl is a decent movie, anchored by great action scenes and a great lead performance

Set in a world not unlike mid-20th century America, The Vandal centers on Harold, whose tormented search for peace from traumatic loss results in an unexpectedly destructive awakening after he undergoes a lobotomy. When the procedure “turns his mind inside out” and his great love is suddenly gone, Harold’s desperate search intensifies.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
Mahershala Ali and Naomie Harris, with an economy of language, but a world of expression, weave us inside this futuristic tale of how your “one true love” may exist in the future in Benjamin Cleary's 'Swan Song.'
'Unsolved Mysteries' is a reminder that not everyone has closure in their lives. Things will happen that have no known explanation, and seemingly come out of nowhere.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.