Quintessential Directors: Barry Jenkins
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.

During the reign of the 11th Shogun, a series of supernatural incidents occur every night in the Edo Castle. A beautiful inspector appears with thunder and lightning to suck people’s blood and kill them. The examiner’s true identity is Amakusa Shiro, a young samurai from the Amakusa clan that was destroyed by the harsh Christian persecution of the Shogunate. Shirō sold his soul to the devil and became an evil spirit. After 160 years since destruction of Amakusa, his revenge to overthrow the Tokugawa shogunate begins.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
Darren Arronofsky focuses on diverse and heartbreaking stories about the human experience.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
The [SPOILER-Free] story of Jurassic World: Dominion is that the humans never learned from their mistakes from the previous films, science is still running amok, and the world is paying the price.