
A housemaid is cleaning a studio. When she sees a sculpture of a nude woman in life-size, lying on a couch, she starts to compare this idealized body with her own. She takes off her clothes one by one, thus revealing her own naked body, and she compares the various parts of her body with those of the statue. The master of the house enters the studio. When he sees his housemaid naked, he tells her to go into the next room, and then goes into that room himself.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
I highly recommend Dark Waters. It’s a highly engrossing picture, which lends itself to cautionary storytelling. The dark information continually grows, inspiring change and accountability altogether. Overall, Haynes’ picture will not be known for its inclusiveness--but it will be known for being a fantastic, engrossing film.
A science fiction movie brings a strong diverse cast and adventure in outer space.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Falling in love with 'Rocketman" all over again.