Six friends enter the strange town of Old Mines for a weekend float trip. They quickly realize that the town is not friendly to strangers, and they are pressured to leave by the police. When the friends decide to continue their float trip anyway, terrifying secrets of the town surface. A seven-foot-tall deformed maniac, known by the townsfolk as The Boy is kept under lock and key by the town's mayor. The Boy's purpose is simple: kill outsiders. The Mayor of Old Mines releases The Boy and the maniac's hunt begins. One by one, the campers on their float trip are ripped to gory shreds by the enraged, deformed, hulking Boy. But there is great mystery to the Boy. Who is his father? Who is his mother? How did he become so dangerous? In the end, the answers to these questions will put the entire town of Old Mines in danger. The Boy is an unstoppable killing machine, and anyone in his path won't be in one piece for long!
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
Step deep into the 21st century and discover the complexities of artificial combat soldiers.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Based on the best-selling novel by Angie Thomas and a maxim of the late Tupac Shakur.
