Quintessential Directors: Barry Jenkins
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.

An undertaker befriends a pair of motorcycle-riding, knife-wielding, psycho restaurant owners who kill people for body parts to use in their blue-plate daily specials.
A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.
The movie behind the space toy from the 'Toy Story' film series is finally here.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
'Air' is a fun film about a company that put it all on the line for a 22 year old kid from North Carolina
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.